Sunday, 12 April 2026

And Then He Pressed Play: Track One by Robert J. Halliwell

RECENT RELEASE

Author: Robert J. Halliwell

Publisher:  Triple Scale Publishing 

Cover Artist:  Harrold-Vincent Villanueva

Release Date:  February 28, 2026

Tense/POV: Past tense, third person limited, dual POV

Genres: YA coming of age, MM Contemporary 

Tropes: Fish out of water, Shy-Sunshine, Idiots in love, exchange student

Themes: Found family, bisexual awakening, first love

Heat Rating:  1-1.5 flames

Length:  338 pages, 80 000 words

It is part 1 of a duology. It has a HFN ending with some heartbreak mixed in since the exchange program ends.

Goodreads

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Blurb 

It's 2006 and Sixteen-year-old A.J. Walker is openly gay, painfully Canadian, and very much out of his depth. He’s wanted to do his school’s exchange program for years, but now that he’s landed at an all-boys school in Glenbridge Ireland—an ocean away from Moose Jaw Saskatchewan—he’s starting to question his decisions. Armed with nothing more than his trusty Discman and an accent that makes him stand out, A.J. has one goal: get through the Irish school year.

Born and raised in Glenbridge, Bren O’Shea has never known how to sit still or keep quiet. He’s also never known a day without laughter. Even when things get bad, Bren always knows how to get a smile out of someone, whether they asked him or not. His mam always says he needs to think before he acts, but as long as his heart’s in the right place, what’s the harm in a bit of impulse?

Glenbridge is the sort of town where everyone knows everyone—and unfortunately for A.J. once someone thinks they know you, it’s hard to change their mind.

After a rocky start that ends in disaster, Bren and A.J. need to decide if it’s worth reaching out to someone who’s so different from you—especially when one of you has to leave in June.

Excerpt 

Save me!

The chorus to “Bring Me to Life” rang in A.J.’s ears as he leaned against the damp, moss-covered wall at the far end of Glenbridge Secondary School. Even though the volume on his whirring Discman was cranked to the highest setting, it wasn’t enough to drown out the absolute bedlam that roiled around him. He’d thought his eleven years of attending school had shown him all the shades of feral guys came in, but standing to face the churning sea of testosterone before him, those years of experience all but melted away.

He couldn’t say for sure whether it was the fact Glenbridge had no girls to act as a buffer, or if his new classmates just didn’t come with volume knobs. Whatever the reason, he was doubting the wisdom of signing up for the exchange program with each passing second.

The main attraction stood at the end of the yard farthest from his wall. At least twenty guys, ranging throughout all the grades by the looks of them, were playing some sort of game A.J. had never seen before. Everyone carried strips of wood that looked like a cross between stubby hockey sticks and baseball bats. As far as he could tell, the goal was to balance, hit, or otherwise carry the baseball-sized ball from one end of the field to the other and get it past the goalie, all while being as loud as possible.

Separate from this unknown sport, groups of students stood in clusters throughout the yard. This wasn’t much different from what he was used to at first glance, but on closer inspection, each group was in a state of constant motion. Guys were speaking with their hands, elbowing their friends or slapping each other on the back with every other word. They seemed to communicate exclusively by shouting, with accents that A.J. had trouble understanding—even without the music thudding in his skull.

There didn’t seem to be another quiet person for him to approach. Not one other guy off on his own, reading a book, listening to music, or acting like they hadn’t downed about five cans of Monster.

A.J. rolled his shoulders, and the fabric of his uniform bit into his neck. He’d thought by making sure his clothes were in pristine condition before setting out that morning, he was applying a layer of camouflage. A uniform made things easier—or at least it should have.

To his dismay, it looked like everyone else had shredded the handout without looking at it. Shirts were rumpled, sleeves were rolled up, and despite the leaflet’s mention of neutral footwear, he spotted more than a few pairs of brightly coloured Nikes milling about.

In the brief lull between songs, his eyes fell on one of the worst offenders of this near-universal breach of dress code. Flame-bright hair stuck out at every angle across his head, like he’d rolled out of bed and walked straight out the door. His blue and silver striped tie was so loose the knot thudded against his sternum whenever he was in motion—which seemed to be his default setting.

He laughed as he peeled back the top of a yogurt lid and flung it with a casual flick towards one of his friends. It landed with a good stick on the boy’s breast pocket—right over the school crest.

A.J. was wondering how hard the first boy was going to get punched when the second one’s lip twitched. He grabbed hold of the lid and, with surprising dexterity considering the size of him, flung it back at the first boy. It landed between his eyes with a splat that A.J. thought he heard above his music. The rest of the group exploded with laughter as the redhead peeled the lid off, still wearing his crooked smile.

Without warning, the yogurt-covered boy turned from his group to toss the lid towards a nearby trash can. A.J.’s eyes darted away and came to rest on a patch of clover. Had the other boy seen him staring? Classes hadn’t even started yet, and he was already acting like a friendless loser.

He was a friendless loser.

His fingers found the dial of his Discman again, yearning to crank the volume up past its limits.

He’d all but decided to cut his losses and head inside early when he heard it. The sound of a muffled voice, far too close to be there by accident.

Shit.

A.J. let his eyes linger on the clover before dragging his gaze upward. Sure enough, there stood the boy from before.

A stray streak of pinkish yogurt clung to his fire-spun eyebrows where the lid had landed. Tiny beads of moisture glistened on his pale skin, shining among the freckles spread across the bridge of his sharp nose. It was impossible to tell whether it was sweat or not. If A.J. had learned one thing about Ireland in the two weeks he’d been there, it was that the humidity never dropped below chicken noodle soup.

A.J. fumbled with the dial while the other boy’s head tilted to the side, like he was trying to figure out the plot of a show he’d dropped into mid-season. With his music humming instead of roaring, A.J. shifted his gaze to meet the boy’s hazel eyes.

About the Author  

Robert J. Halliwell was born in the magical land of Canada during the age of butterfly clips and jelly sandals. He spent his formative years watching spooky movies and being jealous of Belle’s library from Beauty and the Beast. Many people don’t know Robert is married to an American Cyborg or that he’s secretly in possession of the two cutest cats in the world. He can often be found playing Dungeons and Dragons, knitting, or struggling to keep his garden alive.

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Friday, 27 March 2026

Bachelorx: a Nonbinary Memoir by Skylar Lyralen Kaye

NEW RELEASE 

Book Title: Bachelorx: a Nonbinary Memoir

Author and Publisher: Skylar Lyralen Kaye

Cover Artist: 100 Covers

Release Date: April 1, 2026

Pairing: Nonbinary protagonist/lesbian and trans love interests

Tense/POV: present tense/alternating POV.

Genres: Literary memoir with graphic and autofiction elements

Tropes: Friends to lovers

Themes: Coming out, Dating and sex, search for love, queer divorce, neurodiversity

Heat Rating: 3 flames  

Length: 319 pages

It is a standalone book.

Goodreads

Buy Links - Pre-Order Now

Amazon US  |  Amazon UK

A 60-something nonbinary queer abruptly leaves a 35-year sexless marriage to go on the apps and date, bringing along all their very vocal personalities.

Style

Worth noting that Bachelorx contains both graphic elements and fictional/mythopoetic elements. It’s intentionally outside the box, aiming for a true representation of neurodiversity while including comedy.

Blurb 

When nonbinary Orpheus leaves their much-loved asexual partner Tobi after 35 years, they have never dated sober, never had a casual girlfriend and never had sober sex. At the age of sixty-two, they’re good at marriage and not at anything casual.

They’ve been living out and proud not only as nonbinary, but also as plural, filming a queer web series.

They’re completely unprepared for middle aged lesbians and their complicated desires. Romance, flirting, love-bombing, control, seduction, desire roll into Orpheus’ life and wake up every possible opinion among their many vocal and vulnerable personalities.

Their very painful history gets woken up in all their inner people, too.

As teenager personalities revel in the “queer prom that never was,” as Orpheus experiences a first kiss with a much younger trans person and then goes on to make out with a woman who confesses trauma in between flicks of her tongue, as child personalities run for cover and the wise inner yoga teacher Kaye warns that none of them are ready to date, Orpheus dog paddles through the waves of dysfunctional urge-to-merge dating.

Then two friends die and their landlord sells their building. Their now ex Tobi totals their car and breaks their own back. 

Will a Eurydice appear, Orpheus wonders, as they search the apps.

Then she does, with a lump in her breast, heart problems, a live-in mother, disabled son and a need for a partner who will hold on, listen and take care of her no matter what comes, as they touch in a rush of a second adolescent joy.

At week six, Eurydice’s at passion. At week seven, she’s talking about adding an addition to her house.

And Orpheus, who will say that they’re plural but won’t show it, who resists commitment only in their silences, goes to every medical appointment, every work occasion, every family party, as their personalities argue about whether to stay, whether to go, whether anything could possibly be right with this woman they can’t get enough of touching.

Every hero must journey to Hades. In the story of Orpheus and Eurydice, innocence is sacrificed to experience. Life walks in when you open the door. No matter your age or circumstances.

Excerpt 

Chapter 1: Becoming Everything

The child Orpheus comes forward in a memory of sunlight. Walking the long line of the green painted two by fours that top posts connecting a chain link fence, they follow its border behind the suburban homes of their Ohio neighborhood. They balance easily, their 1960’s striped t-shirt warmed by the light. Around them insects and birds raise voices for them to listen. They never fall. Held to the earth by tentacles of energy they send to every living being, they ask Gaia to become one with all life, just for a while, just until the pain eases and they can rise alone into a liminal sky, turning poems into songs.

Not boy, not girl, not feminine, not masculine, not straight, not cisgender, not singular, not a member of any tribe that will lay claim to them, Orpheus learns early to become everything. 

* * *

That pandemic spring, I slump over my computer late into the evening with colleagues in California, figuring out how to get actors to film themselves while crew observes on Zoom. Outside the window, the moon hovers over treetops and telephone poles. At the far end of the street the commuter rails screeches by, empty of people. Staring forward into the computer screen, I compare lighting between sets in San Francisco and Pottstown, Pennsylvania. My director of photography assesses eyelines as I give notes to actors before calling for one last take to wrap the day. A multicolored collage of queer bodies appears on the screen as close Zoom. Androgynous nonbinary bodies like mine, trans masc like my spouse, cisgender women, old, young, BIPOC, full-bodied, thin, allo and asexual, appear with a background of pink, people like the ones I interviewed and whose stories I tell. 

I stagger into the bedroom. Pull off my jeans and fall onto the bed in boxer shorts. My spouse Tobi stands near the entrance to the kitchen, tapping a foot on the floor, a stained green button down over their full belly. They stare, deep-set brown eyes burning toward me, toes pointed out, just a little bowlegged.

“Five minutes, Orpheus,” they say. “You could at least give me five minutes.”

“I have to sleep.”

“Then in the morning.”

“I have to work. You know I have to work.”

“Get up five minutes early.”

“I can’t. I’m too tired.” 

They stomp into the kitchen, bang some cabinets. I cover my head with a pillow. 

The next day, Tobi, now wearing a stained brown shirt—their ability to spill food on themself still confounds me after three decades—turns on the Biden-Trump debate at full volume. Stomping over the hardwood floors into the bedroom, I grab the clicker from where it lies on the bed.

“Everyone on Zoom can hear you.” I turn the television off.

They grab the clicker and turn it back on.

I turn it off.

They turn it on.

I turn it off.

“Watch on your computer or somewhere else,” I tell them. “I am WORKING!”

Abandonment issues meet workaholic artist.

Two days later, Tobi leaves to stay in an Airbnb so I can work in peace. Sleep in peace. Not be triggered. 

They stay away for a month. 

When they come home, I bring up polyamory.

About the Author  

Skylar Lyralen Kaye, fae/they is a queer, neurodivergent, social justice and award-winning writer as well as a lifelong activist. They have a BA in English from the University of Arizona and an MFA in Theater fromSarah Lawrence College.

Kaye was nominated for a Pushcart Prize in Fiction in 1997 and was a finalist for the 2005 Massachusetts Cultural Council of thebArts Awards in Playwriting. They have published in literary journals such as Calyx, Persona, Phoebe, Girlfriends, Happy Magazine and the

anthology Out of the Ordinary, Children of LGT Parents as well having published the novella Priest Kid and most recently the novel Leaving Winter for a Desert Sky. Skye has had multiple theatrical productions of their plays as well as performing as a solo artist and running the theater company Another Country Productions. Their most recent awards include the 2021 NE Film Star Award as well as 13 film festival awards for the web series Assigned Female at Birth. In 2018 they won Best in Fringe at the San Francisco Fringe for the one person show My Preferred Pronoun Is We, in 2017 the Moth Story Slam and in 2018 the Boston Story Slam. Some other awards include: the 2015 Meryl Streep Writers Lab for Screenwriters and the 2002

Stanley and Eleanor Lipkin Prize in Playwriting.

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